Friday Five: ‘Bad Mexican, Bad American’ author and poet Jose Hernandez Diaz

‘I think I always wanted to be a rockstar or musician growing up. Poetry was a way for me to be like a one-man band.’

My American friends think I’m too Mexican.
My Mexican friends think I’m too American.
My Mexican American friends are my road dogs.

– Jose Hernandez Diaz, “Ballad of the West Coast Mexican American/Chicanx”

These opening lines to the first poem in Jose Hernandez Diaz‘s 2024 collection, Bad Mexican, Bad American capture the essence of Mexican American identity, the feeling of being caught between two cultures and never fully at home in either.

It’s a recurring theme in this writer’s prose poems and free verse, which explore first-generation identity, surrealism, cultural hybridity, among other themes. But his writings encompass broader, universal themes and issues. As one review describes it, Bad Mexican, Bad American “effectively and thankfully eludes simple categorization, refusing both assimilation and accommodation.”

A native of southern California, Jose studied English and creative writing at Cerritos Community College, the University of California Berkeley, and Antioch University Los Angeles. His poetry has appeared in several literary journals, including Yale Review, Southern Review, and Poetry. He also is the author of The Fire Eater (Texas Review Press, 2020) and two new collections, The Parachutist (Sundress Publications, 2025) and Portrait of the Artist as a Brown Man (Red Hen Press, 2025). In 2017, he was named a National Endowment for the Arts Poetry Fellow. As a writer in residence at the University of Tennessee, Knoxville, and a frequent presenter, he shares his writing expertise with other aspiring writers.

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Friday Five: writer, educator, and Short Story Substack winner Kate Kinney

‘Although they are fiction, I want the stories to seem real, so I am very specific in describing actual places, and I hew closely to what I know.’

In her short story “A Fait Accompli,” which recently won the Short Story Substack award for a story about family, Kate Kinney deftly weaves a poignant and powerful tale of an elderly widow who escapes her assisted-living residence for a holiday shopping spree but cannot escape the control of her power-of-attorney-wielding son nor certain elements of her past. Written in a first-person voice and steeped in realism, “A Fait Accompli” combines detail and seemingly mundane events with a view into the main character’s interior life and memories. The result is a whimsical story that holds the reader’s attention to the very end.

Photo of writer and educator Kate Kinney, from her website, kate-kinney.com
Author and educator Kate Kinney

An educator as well as a writer, Kate chairs the Department of English at Suffolk County Community College in New York, where she also teaches writing and literature. She earned her PhD from the CUNY Graduate Center, where she is a 2025-2026 Writers Institute Fellow, and attended the Kenyon Review Writers Workshop. Her fiction and creative nonfiction have appeared in Meat for Tea: The Valley Review, The Toronto JournalSuperpresent Magazine, The New York Times, and NomadArtX. As a literary scholar, she has studied the influence of another writer named Kate: Kate Chopin. She co-edited the book Kate Chopin in Contexts: From Theory to Practice and is the author of the articles “Kate Chopin: A Woman of and Beyond Her Time” and “Teaching Chopin Through Multimedia.”

Read on to learn how Kate Kinney gleans story magic from the everyday, how her work as a teacher influences her writing, and how binge-watching The Walking Dead informed her favorite essay.

Continue reading “Friday Five: writer, educator, and Short Story Substack winner Kate Kinney”