A boring realist’s thoughts on keeping it real

Why verisimilitude matters in all forms of fiction (with examples)

Note: If you don’t want to wade through this entire post, feel free to go directly to the examples near the end of this post. – AC

I was reviewing some early chapters of a work in progress recently when I discovered a problem with the text that–while perhaps insignificant to the overarching plot–could ruin the story’s credibility and my credibility as a writer if I didn’t fix it.

The novel is set in the early 1980s, and music plays a significant role in it. In one early chapter, I reference a song that, when I was writing the chapter, I was certain was ubiquitous on FM radio during the time frame of this portion of the novel. But as often happens when I rely on my increasingly foggy memory, I did not remember correctly.

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Friday Five: Frazzled Lit short story winner Gary Finnegan

‘I am trying to get over a bad habit of submitting every piece of fiction I write.’

Gary Finnegan‘s short story “Limbo Nights,” which won first place in the Frazzled Lit 2025 short story competition, has been described as “a word-perfect gallop through the highs and lows of a post-Leaving Cert trip, and the swift transition from irresponsible child to semi-responsible adult-in-training.” The story is also praised for its “Great imagery and dialogue,” and I agree wholeheartedly.

An accomplished journalist as well as a writer of fiction, Gary is based in Kildare, Ireland. His writing has appeared in The Hooghly Review, The London Magazine, Litro, Flash Fiction Magazine, Roi Fainéant, and elsewhere. Read on to learn more about the inspiration for “Limbo Nights,” Gary’s upcoming projects, his advice to other writers, and more.

Continue reading “Friday Five: Frazzled Lit short story winner Gary Finnegan”