March 2024 – Andrew Careaga

Friday Five: literary Easter eggs

Some literary morsels to entertain, inform, and possibly inspire.

On this Good Friday, as we enter Easter weekend, here are five literary morsels — little Easter eggs I recently hunted down to pass along for your reading and listening pleasure. May they provide some amusement, entertainment, and even inspiration.

13 Ways of Looking at Socks is one poet’s “meditations on something so deeply mundane that we rarely think about it until we reach into the sock drawer and it’s empty or just sad and disappointing and now you have to do laundry.” The author, Mary Roblyn, wrote it as a riff on Wallace Stevens’ 13 Ways of Looking at a Blackbird. In Roblyn’s case, she accompanies her writing with relevant photos.
“Good writers borrow, great writers steal.” We’ve all heard that old saying, right? Writer B.J. Novak (he of “The Office” fame) takes it literally in this short audio piece, which he and actor Aasif Mandvi read to open a recent episode of the podcast Selected Shorts (highly recommended for fans of short fiction). The story is from Novak’s book of short stories, One More Thing: Stories and Other Stories.
Vermilion Cliffs is a lovely piece of micro fiction by Allison Field Bell, published in Fractured Lit, the online literary journal devoted to flash and micro fiction.
“Far from this foreign Easter damp and chilly/My soul steals to a pear-shaped plot of ground,/Where gleamed the lilac-tinted Easter lily/Soft-scented in the air for yards around;” — begins Claude McKay’s poem/meditation “The Easter Flower.”
Here’s the pitch, baseball fans: Some of the greatest books about sports are also about so much more. Just in time for the opening of baseball season, Keith O’Brien, the author of a book about one of the game’s greatest tragic figures, Pete Rose, gives us Greek Tragedy in the Bottom of the Ninth: On Baseball’s High Literary Drama. Play ball!

Photo by Laurentiu Iordache on Unsplash

‘E-vangelism’ revisited

Reflections on my first published book, which was released April 1, 1999.

Update: Since posting this Monday afternoon, Amazon has sold out of its copies of this book but some used copies are still available. The book appears to be available from other online booksellers, however, and if anyone is interested in a signed copy, please contact me and I’ll get one to you.

Twenty-five years ago next week, my first book, E-vangelism: Sharing the Gospel in Cyberspace, rolled off the presses of a Christian publishing house in Lafayette, Louisiana, and was shipped to Christian bookstores and, on April 1 of that year, an online bookseller known as Amazon.com.

It was 1999, the year made famous by Prince’s 1982 hit single of the same name. That spring also saw the release of The Matrix in movie theaters, the expansion of NATO in Eastern Europe, and the debut of SpongebobSquarepants on Nickelodeon. It was the spring of the Columbine massacre. It was the year Amazon broke the $1 billion mark in revenues for the first time and expanded their product line by introducing an ebook reader called the Kindle and a smart speaker called the Echo, which was used with the company’s Alexa personal assistant system.

Friday Five: Q&A with ‘Freezing Reign’ author L.A. Goff

‘Your first book will be less than perfect. Write it anyway.’

L.A. Goff photo — L.A. Goff, author of ‘Freezing Reign’

Continuing this blog’s highlight of women writers during Women’s History Month, today’s Friday Five Q&A is with L.A. Goff, author of the dystopian thriller Freezing Reign and another writer from my area. Freezing Reign is Goff’s debut novel and the first in a series. A self-described “reformed journalist who discovered it’s more fun to create new worlds than report on this one,” Goff has extensive experience in non-fiction as well.

Is it ready yet?

I wish there were a surefire way of knowing when a piece was finished.

I’ve been working on — and reworking — an essay over the past two months, and I’m reaching the point of frustration with the effort. Mostly, I’m getting frustrated with myself for the constant tweaking I’ve been doing with it. I feel like I’ve been working it over more than I should, but I still don’t feel the piece is ready yet.

If only there were a surefire way of knowing when a piece was finished. Maybe a writer’s version of the pop-up thermometer used to determine when the Thanksgiving turkey is ready to take out of the oven. Could someone please invent that for me?

In the meantime, I took to the internet to ask some writers for their take on how to know when a piece is done.

Why we write: thoughts from Junot Díaz

One of the author websites I read regularly is Junot Díaz’s StoryWorlds. Diaz is the author of the Pulitzer Prize-winning novel The Brief Wondrous Life of Oscar Wao, among other titles, and through his Substack writings he generously shares his ideas about the writing craft with his readers. A recent post, When the Words Become Breath, or A First Novel Written in Darkness, is one of his more personal entries, and it strikes at the heart of the question of why we write, and what we should expect from our efforts.

It’s also a hopeful story for anyone who struggles with depression, as Díaz did during his senior year of high school — “a depression of the deep dark kind.”