A boring realist’s thoughts on keeping it real

Why verisimilitude matters in all forms of fiction (with examples)

Note: If you don’t want to wade through this entire post, feel free to go directly to the examples near the end of this post. – AC

I was reviewing some early chapters of a work in progress recently when I discovered a problem with the text that–while perhaps insignificant to the overarching plot–could ruin the story’s credibility and my credibility as a writer if I didn’t fix it.

The novel is set in the early 1980s, and music plays a significant role in it. In one early chapter, I reference a song that, when I was writing the chapter, I was certain was ubiquitous on FM radio during the time frame of this portion of the novel. But as often happens when I rely on my increasingly foggy memory, I did not remember correctly.

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Friday Five: ‘writer of short things’ Emily Rinkema

‘I love everything about flash fiction, as a reader and as a writer.’

On her website, Emily Rinkema introduces herself as a “writer of short things.” But if the cliche “good things come in small packages” applies to the craft of flash and micro fiction, Emily’s work exemplifies it.

Emily Rinkema

Take this gut punch of a first paragraph from “Amy’s Mom,” which took third-place honors in Frazzled Lit‘s 2025 short story contest:

After Amy’s mom drops dead, like literally drops right in her driveway, groceries spilled all around her, we sit in my basement and get high and plan what to do if ours do too. Meaning our moms. Meaning if they just drop dead.

Emily Rinkema, “Amy’s Mom”
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