Category: Friday Five Writers

Friday Five: Z.H. Gill, editor of Burial Magazine

‘I want the fancies and the unclean to coexist at Burial because I like a lot of different kinds of writing.’

Content warning: strong language that some readers may find offensive.

On this, the day after Z.H. Gill‘s least favorite holiday (as he himself acknowledges), I am filled with gratitude to introduce you to Z.H., the founder and editor of a relatively new online literary journal, Burial Magazine.

Headshot of Z.H. Gill, founder and editor of Burial Magazine.
Z.H. Gill

It’s been fewer than six months since Burial arrived on the literary scene like a thunderbolt hurled from Mount Olympus, erupting in a strange purple glow marked with white text of startling, brash, and often stunning, often unconventional prose and poetry. With its text-heavy, minimalist design and powerful writing, Burial is a distinctive niche in the world of online literary magazines.

When Z.H. isn’t working on Burial, Z.H. is working on his own writing and filmmaking. Based in East Hollywood, California, where he lives with Hans the Cat, Z.H.’s writing appears in X-R-A-Y, Minor Literature[s], Pithead Chapel, Vol. 1 Brooklyn, and elsewhere.

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Friday Five: ‘Bad Mexican, Bad American’ author and poet Jose Hernandez Diaz

‘I think I always wanted to be a rockstar or musician growing up. Poetry was a way for me to be like a one-man band.’

My American friends think I’m too Mexican.
My Mexican friends think I’m too American.
My Mexican American friends are my road dogs.

– Jose Hernandez Diaz, “Ballad of the West Coast Mexican American/Chicanx”

These opening lines to the first poem in Jose Hernandez Diaz‘s 2024 collection, Bad Mexican, Bad American capture the essence of Mexican American identity, the feeling of being caught between two cultures and never fully at home in either.

It’s a recurring theme in this writer’s prose poems and free verse, which explore first-generation identity, surrealism, cultural hybridity, among other themes. But his writings encompass broader, universal themes and issues. As one review describes it, Bad Mexican, Bad American “effectively and thankfully eludes simple categorization, refusing both assimilation and accommodation.”

A native of southern California, Jose studied English and creative writing at Cerritos Community College, the University of California Berkeley, and Antioch University Los Angeles. His poetry has appeared in several literary journals, including Yale Review, Southern Review, and Poetry. He also is the author of The Fire Eater (Texas Review Press, 2020) and two new collections, The Parachutist (Sundress Publications, 2025) and Portrait of the Artist as a Brown Man (Red Hen Press, 2025). In 2017, he was named a National Endowment for the Arts Poetry Fellow. As a writer in residence at the University of Tennessee, Knoxville, and a frequent presenter, he shares his writing expertise with other aspiring writers.

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