Favorite albums of 2010 (with videos)

Be still, your heart. It’s another year-end list. Yesterday’s was about books. Today’s is all about the music.

Bestof20102010 was an uneven, inconsistent year for music. It wasn’t what I would call a banner year for music, but it had its share of high notes.

Around the middle of the year, I noticed that a lot of geezer rockers were releasing some pretty decent albums. Neil Young, Tom Petty, Mavis Staples, Steve Miller, Robert Plant, Peter Wolfe, John Mellencamp — even Devo got in on the act, and Bruce Springsteen entered late with a compilation of dusted-off tracks from the ’80s. Non-rocker geezers like hard-country stalwart Merle Haggard also raised their voices. Ol’ Merle released a beaut, and thanks to Rick Rubin and company, another country legend, Johnny Cash, released the final (?) album of the American series posthumously under the fitting title American VI: Ain’t No Grave.

While it was comforting for me (a geezer) to hear many of the old-timers, 2010 also saw some talented new acts come to the fore. Janelle Monae, Fitz and the Tantrums and the rockingest band you’ve never heard of, J. Roddy Walston and the Business, were my favorite new discoveries. There was also plenty of electro-pop, synth-pop and other fuzzy neo-punk/indie genre-bending ear candy this year, but with a few exceptions (Wavves, Caribou, Superchunk), most of it was not music to my ears. Many of your indie-music favorites (Arcade Fire, the National, Spoon, Vampire Weekend) came out with strong albums, as you figured they would. So did some more mainstream popsters (Gorillaz, Kanye, the ubiquitous Lady Gaga). The year had its share of disappointments (such as MGMT’s sophomore effort, Congratulations, the Hold Steady release and M.I.A.’s ///Y/, which did win for weirdest album title of the year) but it also contained some pleasant surprises (Belle and Sebastian, Broken Bells, a decent Of Montreal album).

But enough of the wrap-up. Let’s get to the list. If you want more views from higher ed music nerds, check out the collaborative effort I and nine others from the higher ed world compiled over at the Higher Ed Music Critics blog. There we listed our top 50 in two parts (50-26 and 25-1) as well as our personal top fives, a couple of cameo appearances by guest bloggers and some other stuff.

My 50 favorite albums of 2010

1. Arcade Fire – The Suburbs

I know: Predictable. What can I say? From the opening “Lake Shore Drive”-style piano rag of the title track, this album had me hooked. This, the band’s third album, is their most sweeping and ambitious. Taking on the themes of identity and spiritual survival in the world of superficiality that is “the suburbs,” this project is as sprawling as the title implies. Bonus: this amazing video experience, The Wilderness Downtown (view in Chrome), is one of the most amazing interactive experiences of the year. And this video for the opening track has to be one of the most disturbing yet artful.

2. Robert Plant – Band of Joy

The former Led Zeppelin front man surprised many a few years ago by teaming up wit bluegrass songbird Alison Krauss. This album, a collection of rootsy covers and traditional Americana, is an even more pleasant surprise.

3. Janelle Monae – The ArchAndroid

Here’s an idea: Create a concept album based on an ancient dystopian movie most people have never seen or heard of: Fritz Lang’s Metropolis. Thankfully, someone in the music business saw something promising in the crazy idea, and in the zany but soulful style of Janelle Monae. For sheer ambition alone, Ms. Monae’s debut album deserves to make the list.

4. Broken Bells – Broken Bells

A creative collaboration between the Shins’ James Mercer and the man with the golden touch, Danger Mouse. The Broken Bells project turned out better than I thought it would. It is certainly better than any Shins output in some time, and Mr. Mouse adds just enough to not distract from Mercer’s mellifluous vocals.

5. John Mellencamp – No Better Than This

An amazing production. In order to capture a true old-timey feel for this album, Mellencamp and his band went to great lengths. Specifically, they took their instruments, single microphone and mono-recorder to three sites: the First African Baptist Church of Savannah, Georgia, Memphis’ legendary Sun Studios and the San Antonio hotel where Robert Johnson recorded “Crossroads.” The result is raw, rough songs of loss, sorrow, joy and longing. And life. No Better Than This is Mellencamp’s best. View the video trailer about how this album came to be.

John Mellencamp Trailer from Rounder Records on Vimeo.

6. The Black Keys – Brothers

According to this list, Brothers is the year’s favorite album for whiskey drinkers. Maybe that’s why it only came in at No. 6 for me. Still, a solid offering of blues-infused rock and roll, and their video for the song “Tighten Up” is one of my favorites of 2010.

7. The Gaslight Anthem – American Slang

New Jersey’s heirs apparent to the blue-collar rock of Springsteen, the fellow New Jerseyans who make up The Gaslight Anthem are not afraid right into those big shoes and make some big music.

8. Yeasayer – Odd Blood

Yeasayer is an odd band. Their prior album, All Hour Cymbals, didn’t quite resonate with me. But Odd Blood is poppier, catchier, more accessible. The tunes are danceable, even. It sounds as though Yeasayer has been listening to a lot of Passion Pit and has smoothed over the rougher edges of their previous efforts. Good stuff.

9. Fitz and the Tantrums – Pickin’ Up the Pieces

Best blue-eyed soul of the year. Just a fun, foot-tapping album.

10. John Legend and the Roots – Wake Up!

John Legend and the Roots artfully recast a handful of ‘70s-era soul tunes from the likes of Marvin Gaye and Harold Melvin. This album’s gem is the live-recording cover of Bill Withers’ anti-war anthem “I Can’t Write Left-Handed.”

The rest:

11. Drive-by Truckers – The Big To Do
12. Jonsi – Go
13. Justin Townes Earle – Harlem River Blues
14. Vampire Weekend – Contra
15. Belle and Sebastian – Write About Love
16. Alejandro Escovedo – Streets Songs of Love
17. Caribou – Swim
18. Sade – Soldier of Love
19. New Pornographers – Together
20. Carolina Chocolate Drops – Genuine Negro Jig

21. Ted Leo & the Pharmacists – The Brutalist Bricks
22. Kanye West – My Beautiful Dark Twisted Fantasy
23. Merle Haggard – I Am What I Am
24. Mavis Staples – You Are Not Alone
25. Band of Horses – Infinite Arms
26. Girl Talk – All Day
27. Of Montreal – False Priest
28. J. Roddy Walston and the Business – J. Roddy Walston and the Business
29. Bruce Springsteen – The Promise
30. Neil Young – Le Noise

31. The Black Crowes – Croweology
32. Danger Mouse & Sparklehorse – Dark Night of the Soul
33. Surfer Blood – Astro Coast
34. Tom Petty – Mojo
35. Gorillaz – Plastic Beach
36. Tokyo Police Club – Champ
37. Wavves – King of the Beach
38. Black Mountain – Wilderness Heart
39. Peter Wolf – Midnight Souvenirs
40. The Whigs – In the Dark

41. Broken Social Scene – Forgiveness Rock Record
42. The Vaselines – Sex With An X
43. Spoon – Transference
44. Elvis Costello – National Ransom
45. Superchunk – Majesty Shredding
46. Shelby Lynne – Tears, Lies and Alibis
47. She & Him – Volume 2
48. LCD Soundsystem – This Is Happening
49. Sleigh Bells – Treats
50. Basia Bulat – Heart of My Own

1,001: A music odyssey (off topic)

Have you ever made one of those serendipitous discoveries on the web that just leaves you dumbstruck?

I’m not talking about finding some intentionally viral campaign cooked up by a marketing firm or big corporation, nor something created by people who get paid to put interesting content out there. I’m talking about something created by one person with a passion and desire to share simply because she wants to.

I made such a discovery on Saturday, when I stumbled upon a marvelously obsessive web project: Liz’s 1,001 Albums. Day by day for more than a year, Liz has been listening to and writing about each of the 1,001 albums listed in the book 1001 Albums You Must Hear Before You Die. (Thanks to my Twitter pal Jason Rollins, aka @webslung, for pointing me to Liz’s blog on day 388 of her quest, in which Liz reviewed Peter Gabriel 1.)

I am in awe of this project for a number of reasons, but mainly because:

1. It involves music

2. It involves lists

3. It is obsessive

4. It is ambitious

5. It is a long-term project

I love music and lists, and I can be obsessive about some things, but when it comes to the ambitious and long-term aspects of projects, I wilt. I admire Liz’s ability to stick with this so far. (And I could benefit from applying some of Liz’s goal-setting advice to many aspects of my life.)

Liz began this project because “I know nothing about music.” Or so she claimed, way back in August 2009. That claim won’t hold up any longer, though. She’s plowed through many classics and a multitude of genres in her quest to absorb all 1,001 must-hear albums.

What I really love about Liz’s project, though, is that she is learning and exploring, and sharing her discoveries along the way. Her entries are not the prose of some music critic wannabe. She admits her lack of knowledge and approaches her subject with a joy and an innocence that music snobs (guilty!) are incapable of. It’s beautiful. Reading her entries about albums of my youth — the first Talking Heads release, say, or her latest entry, Meat Loaf’s Bat Out of Hell — reminds me of what it was like to discover new music and listen, really listen, to an album from the opening track to the end.

Liz’s 1,001 Albums is an audiophile’s version of Julie & Julia. I hope they make a movie about it, too.