Friday Five – Page 5 – Andrew Careaga

Friday Five: Z.H. Gill, editor of Burial Magazine

‘I want the fancies and the unclean to coexist at Burial because I like a lot of different kinds of writing.’

Content warning: strong language that some readers may find offensive.

On this, the day after Z.H. Gill‘s least favorite holiday (as he himself acknowledges), I am filled with gratitude to introduce you to Z.H., the founder and editor of a relatively new online literary journal, Burial Magazine.

Z.H. Gill

It’s been fewer than six months since Burial arrived on the literary scene like a thunderbolt hurled from Mount Olympus, erupting in a strange purple glow marked with white text of startling, brash, and often stunning, often unconventional prose and poetry. With its text-heavy, minimalist design and powerful writing, Burial is a distinctive niche in the world of online literary magazines.

When Z.H. isn’t working on Burial, Z.H. is working on his own writing and filmmaking. Based in East Hollywood, California, where he lives with Hans the Cat, Z.H.’s writing appears in X-R-A-Y, Minor Literature[s], Pithead Chapel, Vol. 1 Brooklyn, and elsewhere.

Friday Five: inspirational quotes for writers and other humans

Are you stuck in a rut? Need some motivation and inspiration? Maybe this a great list of quotations from notable writers, artists, filmmakers, and others can help. This list comes from the good people at MoonLit Getaway literary magazine. Here are five of my favorites from that list (although I could have listed many more).

Don’t risk missing 100 percent of the shots you don’t take. Give this list a read.

Friday Five: grand openings

How powerful first lines can draw your reader into your story.

One lesson the professors at journalism school drilled into my head was the importance of crafting a compelling first paragraph (aka the lede in news parlance).

The opening paragraph is the most important element of your story. It must grab readers’ attention and get them to read more, so it must be finely crafted and honed to its sharpest possible point.

The same applies to more literary writing–whether a novel, a short story, or a creative nonfiction essay. These five opening sentences from some recent stories and essays do a good job of hooking the reader. Each example below comes from The Pushcart Prize XLIX: Best of the Small Presses 2025 Edition. And while there are other notable pieces I could have pulled from this anthology, I chose these five because they are great and because you can also read them online, for free.

Friday Five: ghastly, ghoulish gaffes that can haunt your writing

Don’t let these goblins creep into your writing.

Peak scary season is upon us, my goblins and ghouls, friends and fiends. Whether you’ll be doling out sugary treats to the little monsters that knock on your door this Halloween night, partake in an adult-oriented costume party, or binge on classics like Young Frankenstein or Rocky Horror Picture Show (I highly recommend either, or both if you’re in the mood for a science fiction double feature), know that after tonight, it all comes crashing down like a sugar high, and we all must end our revelries and return to our writing. (Although some of us may prolong that inevitability by celebrating well into el Dia de los Muertos. Why not make a weekend of it? They’ve already got Christmas decor in the aisles of Dollar General and Hobby Lobby.)

Even after all the hoopla subsides, we writers must come to terms with some scary goblins that can haunt our work year round. Here are five scary creatures that may hang around well after All Hallows Eve, like toilet paper on the stately elm in the front yard of Mr. Henderson, who always handed out those filling-yanking sticky, taffy-like things wrapped in waxy orange and black paper.

Friday Five: ‘Bad Mexican, Bad American’ author and poet Jose Hernandez Diaz

‘I think I always wanted to be a rockstar or musician growing up. Poetry was a way for me to be like a one-man band.’

My American friends think I’m too Mexican.
My Mexican friends think I’m too American.
My Mexican American friends are my road dogs.

– Jose Hernandez Diaz, “Ballad of the West Coast Mexican American/Chicanx”

These opening lines to the first poem in Jose Hernandez Diaz‘s 2024 collection, Bad Mexican, Bad American capture the essence of Mexican American identity, the feeling of being caught between two cultures and never fully at home in either.

It’s a recurring theme in this writer’s prose poems and free verse, which explore first-generation identity, surrealism, cultural hybridity, among other themes. But his writings encompass broader, universal themes and issues. As one review describes it, Bad Mexican, Bad American “effectively and thankfully eludes simple categorization, refusing both assimilation and accommodation.”

A native of southern California, Jose studied English and creative writing at Cerritos Community College, the University of California Berkeley, and Antioch University Los Angeles. His poetry has appeared in several literary journals, including Yale Review, Southern Review, and Poetry. He also is the author of The Fire Eater (Texas Review Press, 2020) and two new collections, The Parachutist (Sundress Publications, 2025) and Portrait of the Artist as a Brown Man (Red Hen Press, 2025). In 2017, he was named a National Endowment for the Arts Poetry Fellow. As a writer in residence at the University of Tennessee, Knoxville, and a frequent presenter, he shares his writing expertise with other aspiring writers.