Friday Five – Page 7 – Andrew Careaga

Friday Five: writer, editor, and Lit Mag News creator Becky Tuch

‘I wanted to create a literary space that is informative yet also entertaining’

If you want to keep up on what’s happening in the world of literary magazines, you should be reading Becky Tuch‘s Substack newsletter, Lit Mag News. This bi-weekly newsletter lives up to its billing as “a resource for all things lit mag,” and in a sector awash in newsletters about the writing craft, Lit Mag News is a must-read.

Portrait of Becky Tuch, writer, editor, and creator of Lit Mag News. — Author and Lit Mag News creator Becky Tuch

Each issue features “the latest goings-on in the world of literary magazines,” Becky explains on her about page. Those goings-on include information about new magazines, calls for submissions, contests, job and fellowship opportunities, grant opportunities, trends in lit mag publishing, and “controversies, scams, and the occasional smidge of lit mag gossip.” The writing is always conversational, often entertaining, and delivered in a breezy and easily digestible manner.

Friday Five: recent reads, watches, and listens

Happy Friday, readers! Here are five things that have captured my attention lately:

Reading: My friend and neighbor Agnes Vojta‘s latest collection of poetry, Love Song to Gravity. Agnes is a poet and a physicist, so the title of this collection makes sense. In Love Song…, Agnes explores grief, nature, the change of seasons, time, love, and many other things that make us human and connect us to each other and to our world, including, of course, gravity. You can read some selected poems from this book, and listen to Agnes read some of them. You can also read, right here on this website, my Friday Five Q&A with Agnes from March 2024.
Watching: A great, short (under 10-minute) TED Talk titled “A meditation on Rumi and the power of poetry,” delivered in December 2023 by Iranian-born author and translator Leili Anvar. In this talk, she reflects on the poetry of Rumi, a 13th-century mystic Persian poet, and the power of poetry and language.
Listening to: This podcast interview by organizational psychologist Adam Grant with the very funny Ed Helms (who played Andy Bernard, aka the ‘Nard Dog, on The Office) about learning through failure, with mentions of Helms’ book about failure, SNAFU: The Definitive Guide to History’s Greatest Screwups. Helms cut his teeth as a standup comedian, and if there’s any occupation that submits itself to failure and humiliation more regularly than a writer, it’s that of standup comedian. I recommend every writer give this a listen.
Reading: Debuting at 70, an essay by Ruth Bonapace, who published her debut novel, The Bulgarian Training Manual, last year as a newly minted septuagenarian. (I’m closing in on age 65, so there’s hope for me yet.)
Reading and listening to: Handmade Playlist Box Set: The Complete Works of Summer, a nostalgia-inducing essay by writer and music lover Michael Chabon (The Amazing Adventures of Kavalier & Clay, Wonder Boys, The Mysteries of Pittsburgh, etc.) on the music of summer seasons past and present, complete with Spotify playlists. (This reminds me: years ago, before I moved on to Apple Music for much of my listening, I put together a summer playlist of my own, called #summersongs, and made it open for collaboration, so if you want to add to it, feel free to do so. Or just have a listen if you’re so inclined, and marvel at my impeccable taste in music.)

Have a good weekend, and try to enjoy these waning days of summer.

Top image: Me poolside with my copy of Agnes Vojta’s latest collection of poems, Love Song to Gravity.

Friday Five: a conversation with UK writer u.v. ray

‘I don’t write existential angst, I write existential rebellion.’

Just as the premature rumors of Samuel Clemens’/Mark Twain’s death were greatly exaggerated, so it is with UK writer u.v. ray. Never mind that his official author’s bio on Amazon claims he “went missing during a sail-boat trip in the Bermuda Triangle” last February, soon after he completed his chapbook Speed Trials ’94. He’s alive and well–or alive and writing at least–and is about to launch a new novel, Druggernaut, into the world. Currently Spinners editor Roual Galloway and u.v. are making final preparations for the book launch. It will be available very soon from 5767 Productions.

Writer u.v. ray with a proof copy of his new novel, *Druggernaut*

Born in Birmingham, England, u.v.’s raw, gritty fiction and poetry evokes comparisons to writers like Charles Bukowski and William S. Burroughs and others who captured the dark world of society’s underbelly. After dropping out of school at 15, he spent decades drifting through bars and nightclubs, experiences that fuel his works like We Are Glass (2012) and Drug Story (2019). His writing, published in numerous underground magazines, portrays a visceral exploration of alienation and fleeting redemption.

Friday Five: ‘All Our Tomorrows’ author Amy DeBellis

‘Don’t be afraid to write stuff that’s mediocre. If you don’t write the mediocre, you can’t build up to the good and the great.’

For Amy DeBellis, “writing is a way to express negative emotions: fear, grief, rage,” she says. “I also find that makes for more interesting stories.”

To call Amy’s stories interesting is like calling Stephen King’s novel Christine a book about an old clunker. Her short stories may glimmer on the surface, but beneath that veneer, the gruesome and bizarre are exposed, but not in an overt, obvious horror-genre way. She also sets many of her writings in a dystopian near future–one not so far off from our current world and circumstances, just enough to help us imagine what those current circumstances can lead to.

Amy’s astounding debut novel, All Our Tomorrows (CLASH Books, 2025), explores the lives of three Gen Z women navigating late-stage capitalism in a near-future New York City.

Friday Five: Tommy Dean on five ways to open any story (but especially a novel)

Advice from an exceptional writer, editor, and literary agent, with real-life examples.

Today’s Friday Five is cones courtesy of Tommy Dean, a talented writer, editor, and literary agent who shares his writing wisdom regularly via his Substack, where today’s post originally appeared. It is reprinted here today with permission.

Tommy Dean

Tommy is editor of the popular flash fiction literary magazine Fractured Lit and Uncharted, a writing coach who offers editing services and writing workshops, and an associate literary agent with Rosecliff Literary. He is the author of Hollows, a collection of flash stories, and two flash fiction chapbooks, Special Like the People on TV and Covenants. Tommy has also appeared on this blog before as the subject of an April 2024 Friday Five interview.

What I love most about this post from Tommy is how he draws from actual examples–actual novels–to support his points. This approach makes me want to dive deeper into my reading to see what other novels follow similar paths.