What makes fiction literary?

How do we define a style that many see as elitist, pretentious, and irrelevant?

What does the term “literary fiction” mean? What makes a story or essay or novel literary instead of … something else?

That’s a question I’ve been pondering for some time now. Lately, a series of pieces appearing online have attempted to get at an answer.

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A boring realist’s thoughts on keeping it real

Why verisimilitude matters in all forms of fiction (with examples)

Note: If you don’t want to wade through this entire post, feel free to go directly to the examples near the end of this post. – AC

I was reviewing some early chapters of a work in progress recently when I discovered a problem with the text that–while perhaps insignificant to the overarching plot–could ruin the story’s credibility and my credibility as a writer if I didn’t fix it.

The novel is set in the early 1980s, and music plays a significant role in it. In one early chapter, I reference a song that, when I was writing the chapter, I was certain was ubiquitous on FM radio during the time frame of this portion of the novel. But as often happens when I rely on my increasingly foggy memory, I did not remember correctly.

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On ‘wrediting’

‘Write first, edit later’ is common advice. But how does it work in the real world?

I have a confession: Try as I might to follow the writer’s maxim to “write first, edit later,” I just can’t seem to stick with it.

“Write first, edit later” is one of the more common ground rules for writers. If you want to be a great writer, you’ve got to create that first draft without inhibition. Just vomit those ideas out on the page. Don’t even think about editing, fixing grammatical errors or problems with syntax, or other stylistic issues. Just write. Just “give your creativity free rein” as you create your first draft, knowing you can go back and fix it later.

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How do we make reading fun again?

Reading for pleasure is down. What’s a writer to do?

As a kid growing up in the ’60s and ’70s, I remember public service announcements interrupting my Saturday-morning cartoon time to tell me about an organization called Reading Is Fundamental. RIF is still around, and still working to promote literary among children in the U.S., but judging from a recent study of American’s reading habits, fewer people in this country are reading for pleasure than they were two decades ago.

A PSA for Reading Is Fundamental

According to this study, “reading for pleasure in the United States has declined by more than 40% over the last 20 years–raising urgent questions about the cultural, educational and health consequences of a nation reading less.”

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Friday Five: recent reads, watches, and listens

Happy Friday, readers! Here are five things that have captured my attention lately:

  1. Reading: My friend and neighbor Agnes Vojta‘s latest collection of poetry, Love Song to Gravity. Agnes is a poet and a physicist, so the title of this collection makes sense. In Love Song…, Agnes explores grief, nature, the change of seasons, time, love, and many other things that make us human and connect us to each other and to our world, including, of course, gravity. You can read some selected poems from this book, and listen to Agnes read some of them. You can also read, right here on this website, my Friday Five Q&A with Agnes from March 2024.
  2. Watching: A great, short (under 10-minute) TED Talk titled “A meditation on Rumi and the power of poetry,” delivered in December 2023 by Iranian-born author and translator Leili Anvar. In this talk, she reflects on the poetry of Rumi, a 13th-century mystic Persian poet, and the power of poetry and language.
  3. Listening to: This podcast interview by organizational psychologist Adam Grant with the very funny Ed Helms (who played Andy Bernard, aka the ‘Nard Dog, on The Office) about learning through failure, with mentions of Helms’ book about failure, SNAFU: The Definitive Guide to History’s Greatest Screwups. Helms cut his teeth as a standup comedian, and if there’s any occupation that submits itself to failure and humiliation more regularly than a writer, it’s that of standup comedian. I recommend every writer give this a listen.
  4. Reading: Debuting at 70, an essay by Ruth Bonapace, who published her debut novel, The Bulgarian Training Manual, last year as a newly minted septuagenarian. (I’m closing in on age 65, so there’s hope for me yet.)
  5. Reading and listening to: Handmade Playlist Box Set: The Complete Works of Summer, a nostalgia-inducing essay by writer and music lover Michael Chabon (The Amazing Adventures of Kavalier & Clay, Wonder Boys, The Mysteries of Pittsburgh, etc.) on the music of summer seasons past and present, complete with Spotify playlists. (This reminds me: years ago, before I moved on to Apple Music for much of my listening, I put together a summer playlist of my own, called #summersongs, and made it open for collaboration, so if you want to add to it, feel free to do so. Or just have a listen if you’re so inclined, and marvel at my impeccable taste in music.)

Have a good weekend, and try to enjoy these waning days of summer.

Top image: Me poolside with my copy of Agnes Vojta’s latest collection of poems, Love Song to Gravity.