A boring realist’s thoughts on keeping it real

Why verisimilitude matters in all forms of fiction (with examples)

Note: If you don’t want to wade through this entire post, feel free to go directly to the examples near the end of this post. – AC

I was reviewing some early chapters of a work in progress recently when I discovered a problem with the text that–while perhaps insignificant to the overarching plot–could ruin the story’s credibility and my credibility as a writer if I didn’t fix it.

The novel is set in the early 1980s, and music plays a significant role in it. In one early chapter, I reference a song that, when I was writing the chapter, I was certain was ubiquitous on FM radio during the time frame of this portion of the novel. But as often happens when I rely on my increasingly foggy memory, I did not remember correctly.

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On ‘wrediting’

‘Write first, edit later’ is common advice. But how does it work in the real world?

I have a confession: Try as I might to follow the writer’s maxim to “write first, edit later,” I just can’t seem to stick with it.

“Write first, edit later” is one of the more common ground rules for writers. If you want to be a great writer, you’ve got to create that first draft without inhibition. Just vomit those ideas out on the page. Don’t even think about editing, fixing grammatical errors or problems with syntax, or other stylistic issues. Just write. Just “give your creativity free rein” as you create your first draft, knowing you can go back and fix it later.

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