micro fiction – Page 2

For the past six months or so, I have volunteered as a first reader for a literary magazine. In this role, I’ve been one of the first people to read some 150 flash and micro-fiction submissions to this magazine. They come from writers of all kinds. There are the newcomers seeking their first acceptance, the veterans with several publications and awards to their credit, the MFA graduates and PhDs, the college professors, the undergraduates, the college dropouts, the writers of science fiction, horror, humor, crime, romance, fantasy and just about every other genre, including literary, and writers from every continent except Antarctica. I’ve read pieces submitted for contests as well as regular submissions to the magazine.

The experience of reading all of these submissions has taught me a lot about writing and the submission process, and I hope these five lessons will help you, too.

Note: If you don’t want to wade through this entire post, feel free to go directly to the examples near the end of this post. – AC

I was reviewing some early chapters of a work in progress recently when I discovered a problem with the text that–while perhaps insignificant to the overarching plot–could ruin the story’s credibility and my credibility as a writer if I didn’t fix it.

The novel is set in the early 1980s, and music plays a significant role in it. In one early chapter, I reference a song that, when I was writing the chapter, I was certain was ubiquitous on FM radio during the time frame of this portion of the novel. But as often happens when I rely on my increasingly foggy memory, I did not remember correctly.

Category: micro fiction

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