Reading for pleasure is down. What’s a writer to do?
As a kid growing up in the ’60s and ’70s, I remember public service announcements interrupting my Saturday-morning cartoon time to tell me about an organization called Reading Is Fundamental. RIF is still around, and still working to promote literary among children in the U.S., but judging from a recent study of American’s reading habits, fewer people in this country are reading for pleasure than they were two decades ago.
A PSA for Reading Is Fundamental
According to this study, “reading for pleasure in the United States has declined by more than 40% over the last 20 years–raising urgent questions about the cultural, educational and health consequences of a nation reading less.”
My micro fiction story “Spindled” is in the latest issue of Painted Pebble Lit Mag, a publication devoted to short-form writing. I would be honored if you took a few minutes of your day to read it. (You can also listen to me reading it if you prefer.)
Dad was a computer programmer. While other kids’ dads brought home stacks of clean white office paper for them to draw on, ours came home with stacks of manila-colored, rectangular cards with tiny rectangular holes punched through them. Do not fold, spindle, or mutilate, warned the fine print of the cards.
A sampling from this year’s recently selected stories and prose poems
Alternating Current Press recently announced the selections for the 2025 edition of The Best Small Fictions anthology, and there are some great ones you can read online, right now. Here are five I enjoyed that were published in some literary magazines I try to read regularly.
‘Like a lot of writers, I am trying to understand the world around me.’
Today’s Friday Five Q&A features a writer I only recently discovered, Kristin Kozlowski.
It was a serendipitous discovery. I was researching literary magazines to submit to when I stumbled across her quirky and delightful flash fiction piece, “My Neighbor Posts a Sign in His Yard,” in Fish Barrel Review. After that read, I knew I had to check out more of her writings, and the more I read, the more I was curious about what inspires and motivates her. So I reached out to ask if she would be interested in being a part of this feature. Fortunately for all of us, she agreed.
‘If we listen to each other’s stories—whether told through music, poetry or prose—we may realize that there is so much that connects humanity.’
Those who know me well know I have a deep affection for music. Many other writers share this interest. Natalie Welsh is one of them. She loves music and writing so much that she created a literary magazine that celebrates the fusion of music and storytelling called Syncopation Literary Journal.
Cover of the inaugural issue of Syncopation Literary Journal.
With a Bachelor of Arts in anthropology and a Master of Arts in humanities from York University, Natalie brings a rich academic background to her editorial work. She’s also a multi-talented artist. Both writer and musician, she is proficient on piano and guitar, and has had her short fiction published in New Sociology: Journal of Critical Praxis, Indelible Literary Journal, and Duck Duck Mongoose Magazine. Based in Toronto, Ontario, Canada, Natalie launched Syncopation in 2021 as a platform for musicians and writers to explore the rhythmic interplay between sound and narrative. The first issue went live in January 2022. I was thrilled Natalie saw fit to include my essay “Not Fade Away” in volume 4, issue 1 of her journal, and I’m happy that a couple more pieces I wrote will appear in volume 4, issue 2, later this year.
In this Friday Five, on the final Friday of Women’s History Month, I’m happy to introduce readers to Natalie and her labor of love.
