Friday Five: Q&A with Natalie Welsh, editor of Syncopation Literary Journal

‘If we listen to each other’s stories—whether told through music, poetry or prose—we may realize that there is so much that connects humanity.’

Those who know me well know I have a deep affection for music. Many other writers share this interest. Natalie Welsh is one of them. She loves music and writing so much that she created a literary magazine that celebrates the fusion of music and storytelling called Syncopation Literary Journal.

Cover of the inaugural issue of Syncopation Literary Journal.

With a Bachelor of Arts in anthropology and a Master of Arts in humanities from York University, Natalie brings a rich academic background to her editorial work. She’s also a multi-talented artist. Both writer and musician, she is proficient on piano and guitar, and has had her short fiction published in New Sociology: Journal of Critical Praxis, Indelible Literary Journal, and Duck Duck Mongoose Magazine. Based in Toronto, Ontario, Canada, Natalie launched Syncopation in 2021 as a platform for musicians and writers to explore the rhythmic interplay between sound and narrative. The first issue went live in January 2022. I was thrilled Natalie saw fit to include my essay “Not Fade Away” in volume 4, issue 1 of her journal, and I’m happy that a couple more pieces I wrote will appear in volume 4, issue 2, later this year.

In this Friday Five, on the final Friday of Women’s History Month, I’m happy to introduce readers to Natalie and her labor of love.

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Friday Five: Q&A with flash fiction writer/litmag editor L Mari Harris

‘The Ozarks are full of all-cap CHARACTERS. I never tire of listening in on people’s conversations …’

On her website, L Mari Harris describes herself simply as a “Writer, Reader, Ozarks Dweller.” But like the tales she spins, the simple description is sneakily deceptive. It belies a more complex and nuanced character. As I continue to feature outstanding literary women in this month’s Women’s History Month Friday Five series, I’m delighted to introduce this brilliant creator of short fiction and creative nonfiction to readers.

L Mari Harris

I first got hooked on L Mari’s prose after reading “Baby,” a tiny piece that packs a wallop — one of those stories that sticks with you for a long time. She’s written many other great pieces before and since; find them here.

L Mari is also the managing editor of trampset, a literary magazine you should have on your reading list. Read what she has to say about her writing life, editing trampset, and life in the Ozarks.

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Farewell, Witcraft, and thanks for the laughs

Another fine literary magazine is closing shop. This time it’s Witcraft, an online publication that, for the past couple of years, offered up a daily dose of comic relief in the form of fiction and poetry.

Witcraft founder and editor Doug Jacquier (featured in a recent Friday Five) recently announced his plans in a message to subscribers and on his Substack. He wrote:

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Friday Five: Q&A with Witcraft founder and editor Doug Jacquier

‘… there’s a market out there of people who want some daily relief from the gloom and doom …’

Eidtor’s note: Witcraft founder Doug Jacquier announced February 19 , 2025,that this literary site would cease publication effective March 31, 2025. Read more.

Tired of wading through the negativity flooding your social media and news feeds? Why not shut down X and Facebook for a while and visit Witcraft, an online journal that offers a daily dose of comic relief, which is much-needed these days.

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Friday Five: Q&A with ‘Short Story, Long’ founder Aaron Burch

‘ I often feel happiest and most fulfilled when I read a submission and fall in love with it …’

You might call Aaron Burch a serial literary magazine founder.

His journey into the litmag world began in 2001, when he founded Hobart. He spent over two decades editing that journal, and toward the end of his tenure there he co-founded HAD, an online journal focused on publishing microfiction. Soon after that, he founded Words & Sports Quarterly, a sports-oriented literary magazine that is currently on hiatus.

Two years ago this spring, he launched his latest literary project, Short Story, Long, as a place for longer fiction — stories in the 2,000- to 8,000-word range, although stories of 3,000 to 5,000 words hit the publication’s “sweet spot.” (Read more about the publication and submission guidelines.)

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