Friday Five: Cluetrain leaving the station edition

Five signs that some institutions have yet to get their ticket for a ride on the Cluetrain:

1. From FastCompany.com: OK Go Ditches Label Over YouTube Embedding Rights. You’ve probably heard of the band OK Go because of their insanely popular (and clever) music videos that have spread like wildfire on YouTube. The latest example is the amazing video for OK Go’s song “This Too Shall Pass.” But as Fast Company’s Dan Nosowitz reports, OK Go’s label, EMI, “in a misguided attempt to wring every penny out of the band’s success, decided to block embedding on the YouTube videos — meaning the videos were unable to disseminate out through music and pop culture blogs, news sites, and personal blogs the way they did before the restriction. And that’s not a minor detail: the band saw a 90% drop in views when that restriction went into effect. As in, 100,000 views one day, 10,000 views the next. … [W]hen the label makes their videos less popular, it means, in no uncertain terms, that less people out there know about OK Go.” And that translates into fewer album and ticket sales.

2. Worst social media “strategy” ever. A news and media company is trying to get into the social media consulting business by offering a cookie-cutter program. For a fee, the company will set up Twitter, LinkedIn and Facebook accounts, promise one blog post a week, five to eight custom tweets a day, etc. The author of this post on Businessgrow.com calls it a “copy and paste social media marketing strategy” that also flies in the face of journalistic ethics. If this isn’t the worst social media strategy ever, it’s got to be close. (Via @NewsSocialMedia.)

3. How to screw up the higher education system in Ontario. See? Not even higher ed is safe from missing the Cluetrain. Best part of this blog post for me was discovering a new word: “mediocracy.” (Via @tsand.)

4. The truth about Twitter users. Yikes. Could even Twitter, which was all the rage in 2009, be standing at the station when the Cluetrain pulls away? As the above-linked Mashable story points out, most Twitter users are not active. According to Brad J. Ward, these stats further signify Twitter’s “growing irrelevancy”. Of course, he said that on Twitter, so take it for what it’s worth.

5. For kicks, here’s one from the days of steam-engine cluetrains: An essay by Clifford Stoll (remember him?) from 1995 on why “no online database will replace your daily newspaper.”

Friday Five: #NowPlaying

From my perspective, 2010 is off to a pretty good start in terms of new music. Here’s a sampling of what I’ve been listening to — five new albums released this month and last, plus a bonus album from the archives.

1. Basia Bulat, Heart of My Own. I discovered this lovely Canadian singer-songwriter in 2008, one year after her debut album Oh, My Darling. I was awestruck by her throaty but ethereal vocals, and by the beauty and simplicity of her compositions. Heart of My Own is her second album, and it’s even better than the debut. While the melodies are still spare and spacious, she incorporates more instrumentation in this new album. Highly recommended for any lover of folk, Americana or just plain great music.

Listen: Basia Bulat – Go On

2. Yeasayer, Odd Blood. Yeasayer is an odd band. Their last album, All Hour Cymbals, didn’t quite resonate with me. But Odd Blood is different. It’s poppier, catchier, more accessible. The tunes are danceable, even. It sounds as though Yeasayer has been listening to a lot of Passion Pit and has smoothed over the rougher edges of their previous efforts. Odd Blood is good stuff.

Listen: Yeasayer – O.N.E.

3. Spoon, Transference. This Austin band just keeps cranking out solid stuff. But fans who went ga ga for their previous release (the awkwardly named Ga Ga Ga Ga Ga) may be disappointed with Transference, because with this release Spoon returns to their roots. No Memphis horn section in this album, and very little noodling and dubbing. Just clever lyrics delivered in painful earnestness by lead singer Britt Daniel, underlaid by straightforward foot-tapping rock with high reverb.

Listen: Spoon – Written in Reverse

4. Field MusicField Music (Measure). This just came out on Tuesday, so I haven’t had time to absorb all of this 20-track effort yet. But on first listen, I’m impressed with what the brothers Peter and David Brewis have accomplished. The tunes are artfully arranged. I’m sure I’ll have more to say about this album in the coming months.

Listen: Field Music – Them That Do Nothing

5. Vampire WeekendContra. Yeah, I know. We all thought the over-hyped music blog darlings of 2009 would fold their tents and fade away, a la Clap Your Hands Say Yeah. Instead they reinvented themselves in the mold of Paul Simon. Seriously. They sound like Paul Simon’s The Rhythm of the Saints.

Listen: Vampire Weekend – White Sky

Bonus: Crosby, Stills, Nash & Young, Deja Vu. OK, who released my inner hippie? I don’t know why, but for some reason I decided to listen to this album last Sunday. It’s been a long time, maybe even four and twenty years ago, since I last listened to this in its entirety. But I have been listening to it again and again, and I’m struck by the wonderful melding of four unique talents into a single, cohesive statement. I forgot how wonderfully the harmonies were on this album.

Listen: Crosby, Stills, Nash & Young – Carry On

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So, that’s what’s on my playlist. How about you? What’s catching your ear these days? Any recommendations for me? I’d love to hear them.