nonfiction – Andrew Careaga

New essay: ‘Secondhand Guitar’

A 500-word micro-essay published in Pittsburgh Review of Books

Some artifacts of our lives become lost to time but live on in our memories. Such is the case of some hand-me-down guitars I once owned. These were the beginner’s instruments that blistered my tender fingers and spurred me to continue to practice as I dreamed of rock’n’roll glory, until I became a guitar player of some competency, if not proficiency.

My essay, “Secondhand Guitar,” is a 500-word piece about some of the guitars that shaped my growth as a musician. It was published earlier this week in the Pittsburgh Review of Books as part of its Object Lessons Impressions series of mini-essays–or “essayettes,” as PRoB calls them–“on the hidden lives of ordinary things.”

I wrote “Secondhand Guitar” thanks to the encouragement of Dr. Margret Grebowicz, the Weiner Distinguished Professor of Humanities at my former employer, Missouri University of Science and Technology. Margret also created and leads the Public Scholars Network at Missouri S&T, and last spring invited me to join the group. The network includes academics, mainly, who want to get their work out into the world beyond academia. I’m all about that, so I readily agreed to join the network, and I’m happy to add “Secondhand Guitar” to my growing list of music-themed writings. I hope you’ll give it a read and let me know your thoughts.

Cover image via Pexels.

A four-point play

Three short stories and one short creative non-fiction piece published this week–and it’s only Thursday

The stars must be aligning for me this week, as I’ve had four pieces published.

It began with Tuesday’s publication of a short nonfiction piece called “Killing Machine” in The Itch Lit. This piece was inspired by a sign outside my town’s lone pawn shop and some of the shop’s stock in trade. A reader on Threads wrote, “That first paragraph was a masterclass of clever misdirection, hooked me from the first line.”

Then came three short stories today:

“The Sixth Pallbearer,” a dark story published by a place that specializes in the darker stuff, DarkWinter Literary Magazine.
“Driving Grandma to Bingo,” one of several micro-fiction pieces published today by the Twitter lit mag Mythic Picnic. Each author in this issue is also a contributor to the forthcoming anthology of Warren Zevon-inspired crime stories, Bad Intentions. “Driving Grandma to Bingo” is the fifth story in this issue. To find it, scroll down this post. But be sure to read some other great stories posted there while you’re at it.
“An Earthquake in China,” a short story I started some 20 years ago or more that I’ve been tweaking and revising over the past couple of years. This was published by The Leafline Magazine. Leafline‘s editors called it “a powerful, quiet story about what happens when a leader loses touch with his people. Through simple conversations and the memorable story of the ‘“’feed box,’”’ the author shows how easily a good person can let an obsession ruin a community. It is a relatable look at how fear can drive people apart rather than bring them together.”

I hope you enjoy reading these as much as I enjoyed writing them.

Photo by Abbas Zaidi on Pexels.com.

Friday Five: Orange Rose editor Amber Budd

‘Literary magazines exist to uplift the work of other writers, and that’s always been my main priority.’

In less than a year, Amber Budd has built something incredible for the online literary world with The Orange Rose Literary Magazine. Since launching The Orange Rose last July, she has published five issues, each one of which is filled with a broad range of writing–short stories, nonfiction, flash and micro fiction, and poetry from writers well known, lesser known, and unknown–as well as visual art and photography. (Note to writers: Amber’s call for prose submissions for Issue 6 ends May 31, so get busy! [Orange Rose has already hit its cap for poetry submissions.) I’ve had three short stories appear in Amber’s magazine (in issues 2, 4, and 5, which was a pet-themed issue in honor of Amber’s recently departed orange cat, Biscotti). I also received one kindly worded rejection email from her.

Amber is a Missouri-based writer (as am I) who, at age 24, juggles her editor-in-chief work with her pursuit of an MFA in writing, which she began last fall. She holds an AFA and BA in Creative Writing and previously served as editor for Arrow Rock Literary Journal and as a reader for Fractured Lit. Her short fiction and poetry have been published in multiple magazines and journals, and she is currently writing her first novel that will eventually serve as her master’s thesis. Though her chronic illnesses limit her day-to-day capabilities, she uses her free time, according to her bio, “to replay the same two video games for the millionth time, crochet while binge-watching her current TV obsession, and squeeze in D&D sessions with her friends.”

Friday Five: Faith-Ann Dalton on her memoir of faith

A Q&A with the author of the raw, unflinching pro-life memoir ‘In This House We Lived’

The subtitle of Faith-Ann Dalton‘s debut book In This House We Lived–“A Faith Journey of Choosing Life Again and Again”–is more than a play on her first name. The memoir, which comes out May 8, is a raw and moving account of this first-time author’s struggles to move from a harrowing childhood through an unplanned pregnancy and many other personal trials to establish a life centered around her faith in God and herself.

Cover image of Faith-Ann Dalton’s memoir, *In This House We Lived*. Image via Anointed Colony Media.

The publisher, Anointed Colony Media, describes In This House We Lived as “a raw, redemptive memoir of trauma, crisis, faith, and the slow, intentional construction of healthy habits. “

“With unflinching honesty and hard-won clarity, Dalton traces her story of becoming a mother before she was ready, learning to choose herself without abandoning her soul, and discovering that healing doesn’t always mean getting it right—it’s about refusing to give up.”

Now a licensed cosmetologist, married, and a mother of four, Faith-Ann lives in St. James, Missouri.

Read on to learn more about Faith-Ann and her memoir. But first, please read this disclaimer:

Friday Five: Some thoughts on ‘Writers on Writing’

What some of the best in the craft say about voice and rhythm, getting started, similes and metaphors, and the need for writers to “admit that nothing in this world makes sense.”

It was a cool winter’s day and I was on a minor dusting spree when I discovered tucked away in a far corner of my bookcase a paperback called Writers on Writing: A Bread Loaf Anthology. Published in 1991 by Middlebury College Press and edited by a couple of Middlebury English professors, Robert Pack and Jay Parini (neither of whom I’d heard of), the list of authors displayed on the cover piqued my interest. There, presented on a slant, a graphic treatment no doubt trendy in the late ’80s and early ’90s, was an all-star cast of writers I recognized–Stanley Elkin, Richard Ford, John Irvin, Erica Jong, Joyce Carol Oates, Tim O’Brien–along with many names I didn’t. Holding the book in my non-dusting hand, I studied the cover and concluded I must have purchased it at some long ago library book sale, then tucked it away for safekeeping. (I’m always a sucker for books about the writing craft, and buy any I find, especially if they’re cheap.)

I set aside the dust rag and began reading. Dusting would have to wait.