novels – Page 5 – Andrew Careaga

Friday Five: writer Kristin Kozlowski

‘Like a lot of writers, I am trying to understand the world around me.’

Today’s Friday Five Q&A features a writer I only recently discovered, Kristin Kozlowski.

It was a serendipitous discovery. I was researching literary magazines to submit to when I stumbled across her quirky and delightful flash fiction piece, “My Neighbor Posts a Sign in His Yard,” in Fish Barrel Review. After that read, I knew I had to check out more of her writings, and the more I read, the more I was curious about what inspires and motivates her. So I reached out to ask if she would be interested in being a part of this feature. Fortunately for all of us, she agreed.

Photograph of writer Kristin Kozlowski — Kristin Kozlowski

Tom Robbins and the flexibility to endure

When I got the news yesterday that novelist Tom Robbins died last weekend (at age 92; how could he have been that old?), my memory swooped like the long-extinct Kauaʻi ʻōʻō back, back, back to 1981 or ’82 or so, when I first encountered Robbins’ writings in the form of his novel Still Life With Woodpecker.

A journalism student at the time and steeped in the dreary, staid, humorless learnings of newswriting, I read Still Life as a guilty pleasure. (I’m grateful to my girlfriend at the time who lent me her copy of this book, the perfect antidote to my gloomy, humorless J-school student outlook.) The way Robbins played with the language — even when he was over the top with it, which was often — enthralled me, and for a long time, throughout my college years and beyond, I tried on his writing style to see how it would fit.

Friday Five: Q&A with ‘Aristotle for Novelists’ author Douglas Vigliotti

‘… being “unbelievable” is not a good thing.’

What can we learn about writing a novel from an ancient Greek philosopher who never wrote a novel himself? Plenty, if that ancient Greek philosopher is Aristotle, according to author and podcaster Douglas Vigliotti.

In his latest book, Aristotle for Novelists: 14 Timeless Principles on the Art of Story, Vigliotti draws from Aristotle’s Poetics to provide a framework for storytelling in the modern age.

“For centuries, dramatic writers have relied on Aristotelian principles to write their stories for the screen and stage — the same stories you stream and watch today,” Vigliotti writes. “But for the first time ever, the timeless principles from Aristotle’s esteemed Poetics have been adapted for novelists.”

In this Q&A, Vigliotti shares what inspired him to delve into Aristotle’s writings, discusses how these principles can benefit novelists (and other writers), and talks a bit about his podcast, Books for Men.

Current reads

They say — or, at least, a lot of famous writers say — that to become a good writer, you should also read a lot.

This makes sense to me. I try to learn from whatever I’m reading — even if it’s ad copy in a magazine. Even if it’s from bad writing. At least I can learn how not to write an ad, a book, a short story.

No reading is ever wasted if you learn from it.

On repurposing content from novels and other longer works

How to ‘let bits of your work see the light of day’

Note: This post has been revised to incorporate information about serialization that I’d overlooked previously.

This week, as I hunker indoors amidst a deep freeze here in Middle America, I’ve also been wading into the thick slog of my novel in progress (NIP). It’s been slow going at times, as I press on through the morass, a bit like an explorer who has lost his compass and looks backward to see if it’s too late to turn back. It feels daunting and lonely, and in more than once I’ve wondered if the slog is worth it.