Tom Robbins and the flexibility to endure

When I got the news yesterday that novelist Tom Robbins died last weekend (at age 92; how could he have been that old?), my memory swooped like the long-extinct Kauaʻi ʻōʻō back, back, back to 1981 or ’82 or so, when I first encountered Robbins’ writings in the form of his novel Still Life With Woodpecker.

A journalism student at the time and steeped in the dreary, staid, humorless learnings of newswriting, I read Still Life as a guilty pleasure. (I’m grateful to my girlfriend at the time who lent me her copy of this book, the perfect antidote to my gloomy, humorless J-school student outlook.) The way Robbins played with the language — even when he was over the top with it, which was often — enthralled me, and for a long time, throughout my college years and beyond, I tried on his writing style to see how it would fit.

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Friday Five: Q&A with ‘Aristotle for Novelists’ author Douglas Vigliotti

‘… being “unbelievable” is not a good thing.’

Author and podcaster Douglas Vigliotti

What can we learn about writing a novel from an ancient Greek philosopher who never wrote a novel himself? Plenty, if that ancient Greek philosopher is Aristotle, according to author and podcaster Douglas Vigliotti.

In his latest book, Aristotle for Novelists: 14 Timeless Principles on the Art of Story, Vigliotti draws from Aristotle’s Poetics to provide a framework for storytelling in the modern age.

“For centuries, dramatic writers have relied on Aristotelian principles to write their stories for the screen and stage — the same stories you stream and watch today,” Vigliotti writes. “But for the first time ever, the timeless principles from Aristotle’s esteemed Poetics have been adapted for novelists.”

In this Q&A, Vigliotti shares what inspired him to delve into Aristotle’s writings, discusses how these principles can benefit novelists (and other writers), and talks a bit about his podcast, Books for Men.

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