Friday Five: ‘Bad Mexican, Bad American’ author and poet Jose Hernandez Diaz

‘I think I always wanted to be a rockstar or musician growing up. Poetry was a way for me to be like a one-man band.’

My American friends think I’m too Mexican.
My Mexican friends think I’m too American.
My Mexican American friends are my road dogs.

– Jose Hernandez Diaz, “Ballad of the West Coast Mexican American/Chicanx”

These opening lines to the first poem in Jose Hernandez Diaz‘s 2024 collection, Bad Mexican, Bad American capture the essence of Mexican American identity, the feeling of being caught between two cultures and never fully at home in either.

It’s a recurring theme in this writer’s prose poems and free verse, which explore first-generation identity, surrealism, cultural hybridity, among other themes. But his writings encompass broader, universal themes and issues. As one review describes it, Bad Mexican, Bad American “effectively and thankfully eludes simple categorization, refusing both assimilation and accommodation.”

A native of southern California, Jose studied English and creative writing at Cerritos Community College, the University of California Berkeley, and Antioch University Los Angeles. His poetry has appeared in several literary journals, including Yale Review, Southern Review, and Poetry. He also is the author of The Fire Eater (Texas Review Press, 2020) and two new collections, The Parachutist (Sundress Publications, 2025) and Portrait of the Artist as a Brown Man (Red Hen Press, 2025). In 2017, he was named a National Endowment for the Arts Poetry Fellow. As a writer in residence at the University of Tennessee, Knoxville, and a frequent presenter, he shares his writing expertise with other aspiring writers.

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Celebrate Hispanic heritage: read Hispanic/Latinx writers

‘… culture shapes identity and defines possibility’ and ‘teaches us who we are, what to believe, and how to dream.’

National Hispanic Heritage Month is upon us once again in the USA, and as has become my custom, I plan to devote quite a bit of my reading time to literature by people of Hispanic heritage this month.

I think it’s important to appreciate, learn from, and celebrate the contributions of cultures beyond our mainstream American culture. I agree with the words of actress, director, and producer America Ferrera, who writes in her introduction to America Like Me: Reflections on Life Between Cultures, “culture shapes identity and defines possibility” and “teaches us who we are, what to believe, and how to dream. We should all be able to look at the world around us and see a reflection of our true lived experiences. Until then, the American story will never be complete.”

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