‘American Fiction’ and what stories get told

Who gets to decide which novels are made accessible to the broader public?

Among the Academy Award nominees for best picture that got trampled by the Oppenheimer juggernaut was “American Fiction,” a movie about writers, writing and the publishing business. The movie has a lot to say about the state of publishing and its gatekeeping function. Who gets to decide which novels are made accessible to the broader public? By extension, the movie’s message also applies to other art forms, and to the business of marketing and promoting books, films, music, and other works of art.

“American Fiction” trailer
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Friday Five: Q&A with poet Agnes Vojta

‘You don’t need anybody’s permission to be a poet. You just need to love it.’

Agnes Vojta
Agnes Vojta

Continuing this blog’s celebration of women authors throughout Women’s History Month, and furthering my desire to use this platform to highlight other authors, I’m delighted today to share this email interview with Agnes Vojta, a poet who happens to live in my neck of the woods here in Missouri and who also happens to teach physics at Missouri University of Science and Technology.

A native of Germany, Agnes is the author of three books of poetry — Porous Land, The Eden of Perhaps, and A Coracle for Dreams — all published by Spartan Press in 2019, 2020, and 2022, respectively. More recently, she and eight other poets from Missouri and Arkansas collaborated to create the anthology Wild Muse: Ozarks Nature Poetry, published in December 2022 by Cornerstone Press. Agnes also serves as an associate editor for Thimble Literary Magazine and hosts Poetry at the Pub, a local reading and open mic event. She and her husband, Thomas, a professor and chair of physics at Missouri S&T, are avid hikers and kayakers who share their passion for the outdoors and information about Ozarks trails and more at RollaHiking.info.

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