New flash non-fiction: ‘Livin’ la Vida Pocha’

Some thoughts about cultural identity and assimilation into the Great American Melting Pot

For years, I’ve had a fascination with my Mexican-American heritage and how little I am connected to it–how there is little more to that heritage now than the surname, Careaga. Some thirty years ago, when I first learned there was a term for people like me, pocho, or pocha in the feminine (see more about the terms below), I started writing short pieces, mostly non-fiction or maybe autofiction, about coming to terms with this lost identity and claiming this pocho identity. “Livin’ la Vida Pocha,” published in Issue 4 of the outstanding literary magazine In Short: A Journal of Flash Nonfiction, is the first of these pieces I’ve had published. I’m working on others, so stay tuned.

My attempt with this piece is to express my mixed feelings about my cultural identity and assimilation into the Great American Melting Pot in a direct, deeply personal style. I hope you like it. Many thanks to In Short founder and editor-in-chief Steph Liberatore for her support of this piece and for her edits, which improved the piece greatly.

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Friday Five: ‘Our Lives in Pieces’ memoirist Tracie Adams

‘A delayed dream feels even sweeter when achieved’

In his book Second Act: What Late Bloomers Can Tell You About Success and Reinventing Your Life, Henry Oliver highlights how some of our world’s most successful people — Vera Wang, Frank Lloyd Wright, Julia Child — achieved their most notable successes later in life. This week’s featured writer, Tracie Adams, might feel at home among those late bloomers. For Tracie, that second act began last year at age 58 with the publication of her first writings in various literary magazines. Her memoir, Our Lives in Pieces: A Collection of Flash Memoir Essays, came out earlier this year and has been praised for its honest reflections on life’s joys and sorrows.

A writer since childhood (when she wrote “truly awful poems about horses and mushrooms”), Tracie spent twenty-five years teaching writing to her four homeschooled children on her family farm in Virginia along with hundreds of other homeschooled and private-schooled kids. “While teaching writing and literature was rewarding,” she writes on her website, “I have found immeasurable joy in retirement as I have finally begun publishing my creative nonfiction work in literary magazines.” And we her readers are the better for it.

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