Friday Five: Q&A with Brecht De Poortere, writer and litmag listmaker

Poetry is ‘the highest form of literature, literature at its most refined, the ultimate mastery of language, and therefore unattainable for mere mortals like me!’

On this, the first Friday of National Poetry Month in the USA, I’m pleased to introduce readers to Brecht De Poortere, a Belgian writer who spent his childhood in Africa and currently resides in Paris, France. An economist by profession, Brecht pursues writing as a passion, often drawing from his experiences growing up abroad. His work, which includes short stories and nonfiction, has been published in various literary magazines such as The Baltimore Review, Consequence, Grain, and X-R-A-Y, earning nominations for Best Small Fictions and Best Microfiction.

You might wonder what any of this has to do with poetry. I wanted to include Brecht this month for his work curating an extensive list of literary magazines based on the poetry they publish (see his Google Sheet listing the 400 top litmags here). This is a new list project for Brecht; he’s better known for his ranking of over 1,000 English-language journals (also available as a Google Sheet here). Initially inspired by a desire to navigate the submission process as a new writer, he began ranking magazines by their Twitter followers in 2021, later expanding this into a comprehensive database that he updates periodically. I see both lists as a public service to the writing community because, in addition to the rankings, they provide a trove of information useful to writers.

Read on for Brecht’s takes on writing, listmaking, his ranking methodology, and poetry.

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Friday Five: Q&A with Natalie Welsh, editor of Syncopation Literary Journal

‘If we listen to each other’s stories—whether told through music, poetry or prose—we may realize that there is so much that connects humanity.’

Those who know me well know I have a deep affection for music. Many other writers share this interest. Natalie Welsh is one of them. She loves music and writing so much that she created a literary magazine that celebrates the fusion of music and storytelling called Syncopation Literary Journal.

Cover of the inaugural issue of Syncopation Literary Journal.

With a Bachelor of Arts in anthropology and a Master of Arts in humanities from York University, Natalie brings a rich academic background to her editorial work. She’s also a multi-talented artist. Both writer and musician, she is proficient on piano and guitar, and has had her short fiction published in New Sociology: Journal of Critical Praxis, Indelible Literary Journal, and Duck Duck Mongoose Magazine. Based in Toronto, Ontario, Canada, Natalie launched Syncopation in 2021 as a platform for musicians and writers to explore the rhythmic interplay between sound and narrative. The first issue went live in January 2022. I was thrilled Natalie saw fit to include my essay “Not Fade Away” in volume 4, issue 1 of her journal, and I’m happy that a couple more pieces I wrote will appear in volume 4, issue 2, later this year.

In this Friday Five, on the final Friday of Women’s History Month, I’m happy to introduce readers to Natalie and her labor of love.

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‘Not Fade Away’ published in Syncopation Literary Journal

Cover image for Syncopation Literary Journal, Volume 4, Issue 1.
Cover of Syncopation Literary Journal, Volume 4, Issue 1

I’m proud to have my creative nonfiction essay “Not Fade Away” included in the latest edition of Syncopation Literary Journal (Volume 4, Issue 1). The theme of this issue is “Must Love Music,” and in my essay I try to connect to that theme by weaving together thoughts about a rock concert in the early 1980s, a band that was popular then and is still kicking, and the importance of keeping the power of creativity flowing throughout our years. I hope you’ll give it a read. And while you’re there, check out some of the other terrific writing in this and previous issues.

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Friday Five: Q&A with ‘Short Story, Long’ founder Aaron Burch

‘ I often feel happiest and most fulfilled when I read a submission and fall in love with it …’

You might call Aaron Burch a serial literary magazine founder.

His journey into the litmag world began in 2001, when he founded Hobart. He spent over two decades editing that journal, and toward the end of his tenure there he co-founded HAD, an online journal focused on publishing microfiction. Soon after that, he founded Words & Sports Quarterly, a sports-oriented literary magazine that is currently on hiatus.

Two years ago this spring, he launched his latest literary project, Short Story, Long, as a place for longer fiction — stories in the 2,000- to 8,000-word range, although stories of 3,000 to 5,000 words hit the publication’s “sweet spot.” (Read more about the publication and submission guidelines.)

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What literary magazines are open for submission? That Book Chikka has the answer

Like a lot of writers who seek to get their work published in literary magazines, I go to several sources for intel, including Duosuma, Poets & Writers‘ list, Submittable, and of course my own, ever-expanding compilation of literary magazines on X/Twitter, Litmags, etc. (now up to 314 different litmags and litmag-adjacent accounts).

But my go-to source lately has become Jessica Kusisto’s weekly compilation of literary magazines that are open for submission.

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