How do we define a style that many see as elitist, pretentious, and irrelevant?
What does the term “literary fiction” mean? What makes a story or essay or novel literary instead of … something else?
That’s a question I’ve been pondering for some time now. Lately, a series of pieces appearing online have attempted to get at an answer.
Continue reading “What makes fiction literary?”Reading for pleasure is down. What’s a writer to do?
As a kid growing up in the ’60s and ’70s, I remember public service announcements interrupting my Saturday-morning cartoon time to tell me about an organization called Reading Is Fundamental. RIF is still around, and still working to promote literary among children in the U.S., but judging from a recent study of American’s reading habits, fewer people in this country are reading for pleasure than they were two decades ago.
According to this study, “reading for pleasure in the United States has declined by more than 40% over the last 20 years–raising urgent questions about the cultural, educational and health consequences of a nation reading less.”
Continue reading “How do we make reading fun again?”‘Don’t be afraid to write stuff that’s mediocre. If you don’t write the mediocre, you can’t build up to the good and the great.’
For Amy DeBellis, “writing is a way to express negative emotions: fear, grief, rage,” she says. “I also find that makes for more interesting stories.”
To call Amy’s stories interesting is like calling Stephen King’s novel Christine a book about an old clunker. Her short stories may glimmer on the surface, but beneath that veneer, the gruesome and bizarre are exposed, but not in an overt, obvious horror-genre way. She also sets many of her writings in a dystopian near future–one not so far off from our current world and circumstances, just enough to help us imagine what those current circumstances can lead to.
Amy’s astounding debut novel, All Our Tomorrows (CLASH Books, 2025), explores the lives of three Gen Z women navigating late-stage capitalism in a near-future New York City.
Continue reading “Friday Five: ‘All Our Tomorrows’ author Amy DeBellis”‘I’m not someone who gets hit with flashes of inspiration, but someone who sits down and works, facing the screen for a set amount of time even if nothing comes from the session.’
Last night, Mathew Goldberg celebrated the release of his award-winning debut collection of short stories, Night Watch, with a release party at Two Friends Bookstore + Cafe in Bentonville, Arkansas. I hope it’s the first of many occasions for Mathew to celebrate this accomplishment. With his book hot off the presses, I wanted to deviate from my usual Friday Five routine to squeeze in a bonus question-and-answer session with this talented writer while this collection is brand new.
Mathew is an associate teaching professor of English at my former employer, Missouri University of Science and Technology, and he was kind enough to send me a galley proof of the book. I can tell you that it’s brilliant and well worth the read. It’s no surprise the collection won the 2025 Spokane Prize for Short Fiction from Willow Springs Books, the publisher of Night Watch.
At Missouri S&T, Mathew teaches creative writing, composition, American literature, and detective fiction. To readers familiar with S&T’s focus on STEM education, Mathew’s duties may sound a bit fish-out-of-water, but his background — he holds a biomedical and electrical engineering degree from Duke as well as an MFA from Arkansas — gives him unusual insights into many of the students in his courses. (There are, of course, English and humanities students at S&T, and no doubt they too are keen to learn from this talented writer and academic.)
Many of the stories in Night Watch first found purchase in magazines like The Atlantic and Shenandoah. His fiction also has earned Pushcart Prize nods and semifinalist spots in contests like the Iron Horse Literary Review Book Prize.
Read on to learn more about Mathew’s perspective on the writing craft, teaching at a STEM-focused university, and advice to his fellow writers. And once you’re done reading, make plans to pick up a copy of Night Watch as soon as you can. (For readers from the St. Louis area, you might want to make plans to catch Mathew’s reading and book signing next month at Left Bank Books in St. Louis. Can’t make it in person? No worries. Left Bank plans to stream the presentation over its YouTube channel.)
Continue reading “Bonus Friday Five: Q&A with ‘Night Watch’ author Mathew Goldberg”
When I got the news yesterday that novelist Tom Robbins died last weekend (at age 92; how could he have been that old?), my memory swooped like the long-extinct Kauaʻi ʻōʻō back, back, back to 1981 or ’82 or so, when I first encountered Robbins’ writings in the form of his novel Still Life With Woodpecker.
A journalism student at the time and steeped in the dreary, staid, humorless learnings of newswriting, I read Still Life as a guilty pleasure. (I’m grateful to my girlfriend at the time who lent me her copy of this book, the perfect antidote to my gloomy, humorless J-school student outlook.) The way Robbins played with the language — even when he was over the top with it, which was often — enthralled me, and for a long time, throughout my college years and beyond, I tried on his writing style to see how it would fit.
Continue reading “Tom Robbins and the flexibility to endure”
