On submitting short stories, crafting great dialogue, persevering in the face of rejection, and more.
Happy May Day, everyone! And for all you writers in distress–perhaps you’re shouting Mayday! Mayday! into the void right now–I hope the following five essays and articles on the writing craft will help:
Continue reading “Friday Five: recent craft-y reads”A Q&A with the author of the raw, unflinching pro-life memoir ‘In This House We Lived’
The subtitle of Faith-Ann Dalton‘s debut book In This House We Lived–“A Faith Journey of Choosing Life Again and Again”–is more than a play on her first name. The memoir, which comes out May 8, is a raw and moving account of this first-time author’s struggles to move from a harrowing childhood through an unplanned pregnancy and many other personal trials to establish a life centered around her faith in God and herself.
The publisher, Anointed Colony Media, describes In This House We Lived as “a raw, redemptive memoir of trauma, crisis, faith, and the slow, intentional construction of healthy habits. “
“With unflinching honesty and hard-won clarity, Dalton traces her story of becoming a mother before she was ready, learning to choose herself without abandoning her soul, and discovering that healing doesn’t always mean getting it right—it’s about refusing to give up.”
Now a licensed cosmetologist, married, and a mother of four, Faith-Ann lives in St. James, Missouri.
Read on to learn more about Faith-Ann and her memoir. But first, please read this disclaimer:
Continue reading “Friday Five: Faith-Ann Dalton on her memoir of faith”What some of the best in the craft say about voice and rhythm, getting started, similes and metaphors, and the need for writers to “admit that nothing in this world makes sense.”
It was a cool winter’s day and I was on a minor dusting spree when I discovered tucked away in a far corner of my bookcase a paperback called Writers on Writing: A Bread Loaf Anthology. Published in 1991 by Middlebury College Press and edited by a couple of Middlebury English professors, Robert Pack and Jay Parini (neither of whom I’d heard of), the list of authors displayed on the cover piqued my interest. There, presented on a slant, a graphic treatment no doubt trendy in the late ’80s and early ’90s, was an all-star cast of writers I recognized–Stanley Elkin, Richard Ford, John Irvin, Erica Jong, Joyce Carol Oates, Tim O’Brien–along with many names I didn’t. Holding the book in my non-dusting hand, I studied the cover and concluded I must have purchased it at some long ago library book sale, then tucked it away for safekeeping. (I’m always a sucker for books about the writing craft, and buy any I find, especially if they’re cheap.)
I set aside the dust rag and began reading. Dusting would have to wait.
Continue reading “Friday Five: Some thoughts on ‘Writers on Writing’”‘The idea became intriguing for me: write a play to be read.’
Radio plays have been around for a century or more, practically since the advent of radio. They thrived during the 1930s, ’40s, and ’50s–an era sometimes called the Golden Age of Radio. In his latest novel, Count the Dust (LEFTOVER Books, December 2025), writer and literary magazine editor Adam Van Winkle taps into that approach to create a distinctive story designed for radio but equally enjoyable as a good read.
Count the Dust is set in a nameless small town in southern Oklahoma or north Texas. It’s modeled after the place where Adam grew up, Texoma, but, as he writes, it could be any of the “many small Oklahoma and Texas towns I’ve been in and through that center around a filling station on a state highway.” It’s a murder mystery, told over two time periods–1967, the year of the murder, and 1997–as well as a story of “the persistence of offspring in unideal circumstances.”
Continue reading “Friday Five: Cowboy Jamboree’s Adam Van Winkle, author of ‘Count the Dust’”“These places, like places I grew up in and around, with little money, little resources, drugs, guns, violence, strained marriages and poisonous relationships, they still find a way to produce progeny. People still meet through the circumstance of life, new people still get born.”
‘… what really interests me in sports, and in life in general, really, is the in-between moments.’
As the Winter Olympics get into full swing, it’s as good a time as any to share this interview with Brendan Gillen, whose collection of short stories, Hang Time. The wide world of sports–from Little League and golf to college basketball, monster truck rallies, and more–serves as a backdrop for many of these yarns, but as author John Brandon notes in his blurb, “there’s LSD in the Gatorade.” Because the stories in this collection, published in December 2025, are about much more than sports. They reveal what Brendan calls “the in-between moments” that turn relatable, everyday experiences into surreal yet believable and very enjoyable tales of love, life, and heartbreak.
Based in Brooklyn, New York, Brendan’s work has been nominated for the Pushcart Prize and Best Small Fictions, and appears in Electric Lit, Write or Die, Sundog, the Florida Review, Wigleaf, X-R-A-Y, and elsewhere. He is also the author of a novel, Static, which came out in 2024, and an award-winning creative director who has developed, written, and created content for a broad range of brands, including ESPN, NASCAR, and Anheuser-Busch.
Continue reading “Friday Five: ‘Hang Time’ author Brendan Gillen”
