Friday Five: ‘Denali, Alaska’ author Tyler Dempsey

‘Each essay is a tiny vessel exploring the mosaic of my experience…’

Don’t let the title of Tyler Dempsey’s latest book, Denali, Alaska, fool you. That may sound like the name of a travelogue or guidebook, but this collection of essays, now out from Trident, is as expansive as the state he called home for more than a decade.

A black and white image of a man sitting on a couch with two dogs, one on his lap and another behind him, looking relaxed in a cozy indoor setting. On the right side, there is a book cover titled 'Denali, Alaska' by Tyler Dempsey, featuring a scenic mountain landscape.
Left, Tyler Dempsey with his two dogs (husky Ally and Labrador mix Wilt). Right, the cover of his new essay collection, Denali, Alaska, now available from Trident.

Yes, there are plenty of first-person accounts of Tyler’s adventures in the wilds of The Last Frontier, including a stint as a backpacking guide for a Belgian film crew to the site of a famously doomed American adventurer (the subject of the book’s penultimate essay). But each of these essays, like the author himself, covers a lot of territory, from life in Alaska (“the size of two Texases,” Tyler reminds us) to banana farms in Hawaii, hitchhiking in Montana, leaving his native Oklahoma, and hanging out in the Bay Area of California, “trimming friends’ marijuana for supplemental income.” From these and other geographical jumping-off points, Tyler takes us on a journey about family, love, sex, physics, Native American rock writings, ultramarathoning into the hottest places of the U.S., close encounters with bears, and many and sundry internet rabbit holes that have piqued his curiosity over the years.

What makes each of these fifteen essays so interesting and enjoyable is the way Tyler deftly connects seemingly unrelated ideas and weave them into a cohesive fabric. His nonlinear, hopscotch lateral thinking style shines through in every essay. As he writes in “Stop Making Sense,” he is “plagued by ideas.” His mind is like “a drunk toddler grabbing flash cards. … Though I may not understand it when I begin, something is connecting the disparate strands.”

The result, as he puts it in the interview below, is a set of essays, each of which “is a tiny vessel exploring the mosaic of my experience, sticking to one thing for a few seconds before moving away to see what jumps up from the goo next.”

An adventurous soul who has endured some of the most extreme climates and conditions in North America, Tyler is also the product of a single-parent household and some of the common and not-so-common realities such a life brings, and he and his wife are new parents. He’s also Blake Shelton’s stepbrother, a tidbit some writers (like myself) might latch on to as fodder for an essay all its own. But that factoid barely merits a mention in Denali, Alaska. Tyler simply has too many other interesting things to say.

Denali, Alaska is Tyler’s fifth book and first essay collection. Many of the pieces were previously published in popular alt-lit magazines over the past few years. You can find all his books on his website, as well as some of his essays and other writings. Until this year, he also hosted a podcast called “Another Fucking Writing Podcast” (archived on his website) and for six years published an annual roundup of his favorite short stories.

Tyler now lives in a small town in Northern Arizona with his family.

Read on to learn more about Denali, Alaska, why Tyler stepped away from his podcast, why he prefers to write nonfiction, and more.

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New essay: ‘Secondhand Guitar’

A 500-word micro-essay published in Pittsburgh Review of Books

Some artifacts of our lives become lost to time but live on in our memories. Such is the case of some hand-me-down guitars I once owned. These were the beginner’s instruments that blistered my tender fingers and spurred me to continue to practice as I dreamed of rock’n’roll glory, until I became a guitar player of some competency, if not proficiency.

My essay, “Secondhand Guitar,” is a 500-word piece about some of the guitars that shaped my growth as a musician. It was published earlier this week in the Pittsburgh Review of Books as part of its Object Lessons Impressions series of mini-essays–or “essayettes,” as PRoB calls them–“on the hidden lives of ordinary things.”

I wrote “Secondhand Guitar” thanks to the encouragement of Dr. Margret Grebowicz, the Weiner Distinguished Professor of Humanities at my former employer, Missouri University of Science and Technology. Margret also created and leads the Public Scholars Network at Missouri S&T, and last spring invited me to join the group. The network includes academics, mainly, who want to get their work out into the world beyond academia. I’m all about that, so I readily agreed to join the network, and I’m happy to add “Secondhand Guitar” to my growing list of music-themed writings. I hope you’ll give it a read and let me know your thoughts.

Cover image via Pexels.

New writing in ‘Frazzled Lit’

I’m thrilled to have my nonfiction piece “Liars” published in the latest issue of the online literary magazine Frazzled Lit. Some of my educator friends, and at least one high school teacher, might not be so impressed. It lays bare my writer’s origin story in a most transparent way–warts and all, as they say. Nevertheless, I hope you like it, I hope you find it in your heart to forgive me my youthful plagiarism, and I hope it serves as a cautionary tale to other the other high school slackers and cheaters out there, who have the benefit of AI, which I did not, back in my day. And it’s probably a good thing I didn’t.

Photo by Nicolas Denorme on Unsplash.

Library book sale haul

Eleven books for twelve dollars. Money well spent.

Last month, I went to the Rolla (Missouri) Public Library’s fall book sale and came home with a nice haul of reading materials. It was $12 well spent, and the money went to support our local library.

Here’s what I got, and what I hope to read over the holidays and beyond:

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Shifting gears

Making the switch from writing short fiction and flash fiction to creative nonfiction feels like switching gears for me. Or maybe it’s better described as switching vehicles entirely.

With fiction, I quickly get in the zone. I’m driving a Porsche or a Ferrari, zooming along the autobahn.

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